Microphone de studio GENESIS Radium 300 XLR noir

The GENESIS Radium 300 XLR is a wired studio microphone with cardioid polar pattern designed for clear voice capture and reduced ambient noise. With a sensitivity of -38 dB and a frequency response of 30–16,000 Hz, the microphone delivers high dynamic range and a warm radio-style tone. The package includes a long metal arm, shock mount, pop filter, sponge cover and an XLR-to-3.5 mm cable, making the mic suitable for connection to PCs, laptops and professional studio equipment.

Advantages

The cardioid pickup provides excellent voice clarity and consistent rejection of unwanted background sounds. A built-in pop filter and supplied microphone cover reduce breath noise and plosive consonants while protecting the capsule from dust. The included anti-shock basket minimizes vibrations during intensive use. The long metal arm allows stable, precise positioning without compromising performance, and wired XLR connectivity ensures reliable signal transfer and compatibility with studio gear.

Suitable for

• Home and professional recording studios
• Streaming and podcasting
• Voice-over and radio-style broadcasts
• Gaming with high-quality voice capture

Key specifications

• Polar pattern: Cardioid
• Sensitivity: -38 dB
• Frequency response: 30–16,000 Hz
• Connectivity: Wired (XLR)
• Colour: Black
• Weight: 340 g
• Package accessories: Metal arm, anti-shock basket, pop filter, sponge cover, XLR-to-3.5 mm cable

How to use

Attach the Radium 300 XLR to the supplied metal arm and secure the shock mount. Connect the microphone to your audio interface or mixer using an XLR cable; for direct connection to devices with a 3.5 mm input use the supplied XLR-to-3.5 mm cable if compatible. Position the microphone with the cardioid axis pointing toward the sound source and adjust distance and height to achieve the desired tonal balance. Use the pop filter or sponge cover to reduce plosives and keep the capsule clean.

Recommendations

For best results, connect the Radium 300 XLR to a preamplifier or audio interface with proper gain control, maintain a distance of 10–20 cm from the microphone for vocal work, and use the pop filter to minimize plosive sounds. Avoid exposing the microphone to strong air flows and store it covered when not in use to reduce dust buildup.